Crimestoppers was originally founded in 1988 and now receives more than half a million reports each year.
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As ‘The Jerry Springer Show’ climbed the ratings ladder, the censorship bleep, which masked the slew of insults lobbed by warring guests, became a star of the show.
Children learn more science when they watch an AI-powered cartoon character than with a regular Mickey Mouse or Dora the Explorer, a new study finds.
Scholars, preservationists, archivists, museum educators and curators, fans and the public are meeting in late April in the nation’s capital to figure out how to preserve broadcasting’s history.
A battle is looming between broadcasters, streamers and manufacturers for control over our TV remote controls.
It’s far easier to throw around accusations of damage to one’s reputation than it is to actually prove it in court. A journalism scholar explains the criteria that must be met.
A sociologist interviewed dozens of middle-class Black singles about their friendships, freedom and dating lives.
What causes people to obsess over celebrities – to the point where they’re willing to do whatever it takes to make contact? Criminology may hold some answers.
Welsh language heist drama, Dal y Mellt, is being streamed on Netflix with the title, Rough Cut.
Do the show’s fans secretly identify with the characters’ pursuit of power and pleasure?
The Wales Broadcast Archive in Aberystwyth brings together the archives of the BBC, ITV and S4C under one roof.
Creating an emotional bond and an intimate relationship is the motivation for ‘intimacy seeking’ stalkers and Joe Goldberg’s character portrays this effectively.
Stan’s new series adapted Rebecca Starford’s memoir gives brutal and honest insight into the consequences of bullying.
In choosing to centre her drama on a middle-aged woman Sally Wainwright drew the extraordinary from the ordinary. Two experts in her work explain the brilliance of the Happy Valley final.
Ever since it launched, the streaming platform has made its name by spearheading ever more daring innovations. But could this model be hurtling toward uniform plots and worldviews?
Deepfakes have found their perfect vehicle in comedy – which allows them to be enjoyed without fear of deception.
Is the writer’s appeal less about the power and complexity of his prose, and more about the view of him as a perennial underdog?
Black Snow, a six-part drama on Stan, puts the stories of Australian South Sea Islanders in frame.
As the new series of Emily in Paris drops, an expert in cultural depictions of the city asks – where are all the Parisians?
Pictures and sound, flying through the air to a box in your house? Back in the 1940s, it seemed like a miracle.
Top contributors
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Former Honorary Research Associate, School of Media and Communication, RMIT University
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Senior Lecturer in Communication, University of Technology Sydney
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Senior Lecturer, School of Media, Film and Journalism, Monash University
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Research Fellow, Media & Communications, RMIT University
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Senior Lecturer (Media Studies and Production), University of Southern Queensland
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Associate Professor of Sociology, University of Texas at Arlington
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Professor of Political History, University of Nottingham
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Senior Lecturer in Sport Management, Deakin University
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Lecturer in Journalism, University of Technology Sydney
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Senior Lecturer in English Literature, Charles Sturt University
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Emeritus Professor of Cultural Research, Institute for Culture and Society, Western Sydney University
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University of York
