We’re used to describing feminism in ‘waves’, from the first in 1848, campaigning for women to vote, to the current fourth wave, in the age of #metoo. But do waves still work to describe feminism?
Laura Elizabeth Woollett’s fourth novel cracks open the toxic power dynamics between a privileged huddle of ‘Blondes’ and the culturally diverse girls they seek to marginalise.
Seeing these performances was an empowering reminder that women in their 50s are still out there, oozing with vibrant creativity, worthiness and relevance.