The conviction of two men in relation to the sale of forged Brett Whiteley paintings indicates that Australia needs to get its act together when it comes to authenticating artworks.
It is hard for us to visualise the trends and processes of climate change, which are largely hidden. But posters - with their richly subversive history - are the perfect medium for prompting contemplation and action.
Utopianism is a neglected prism through which to view Africa. It is the space where the intricacies of decolonisation and independence can be properly comprehended.
Australia’s original $1 note featured artwork taken without permission from Aboriginal artist, David Malangi. He was later given $1000, a medallion and a fishing kit, but archival evidence sheds new light on the affair.
Whistler’s Mother, which arrives in Melbourne on March 25, is one of the most famous portraits in the world. But James Whistler never wanted the sitter’s identity known.
William Yang has, maybe more than anyone else, shaped Sydney’s view of itself. A new book, William Yang: Stories of Love and Death, collects his iconic photographs, with scrawled annotations.
The Dja Dja Warrung bark etchings are hugely significant Aboriginal artefacts. They’re back in Australia for only the second time in 160 years. We look at the complex issue of repatriation.
Art education is an important vehicle for all sorts of learning and knowledge acquisition. Teachers must be taught not to view it as a “second class” subject.
Bushfires are an integral part of the Australian landscape and psyche. These awesome forces are part of the cycle of renewal, but how can art help us come to terms with increasingly destructive fires?
Time travelling back into internet art of the past, the contrast between today’s paranoia and banality and the early optimism that initially greeted it is striking.
That traditional monolith of culture, the museum, has begun to embrace the digital world. As a series of projects reveal, the possibilities are endless.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne