Wes Anderson’s film ‘Asteroid City’ encompasses an environmental grief that manifests as failure to accept an uncontrollable reality.
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Like other recent queer rom-coms that pitched to the mainstream, Red, White & Royal Blue explains gay contexts to non-queer audiences.
The Barbie movie has caused a media storm, even before the photo of the pink-clad Canadian PM and his son circulated on social media. Much of the conversation has zoned in on men and masculinity.
As a composer who has used creative AI in my music, I see that many artists will need to renegotiate terms of their labour, but there are also opportunities for different forms of collaboration.
New Hollywood filmmaker William Friedkin, director of The Exorcist and The French Connection, has died at 87.
Horror filmmakers are wrestling with space in cities and what it means to share it.
A paleobiologist on why he appreciates the franchise despite its inaccuracies.
Being a mom can be heartbreaking, empowering, scary, fulfilling and everything in between.
A controversial low-budget Indian feature film about a discredited anti-Muslim conspiracy theory has been causing a political storm, going all the way to India’s Supreme Court.
Atomic Power was pioneering in communicating the history behind Robert Oppenheimer’s work.
In bringing Barbie to life, Gerwig, Robbie and their team have created a smart, enjoyable, feminist film.
The Christopher Nolan film ‘Oppenheimer’ is set to become a summer blockbuster. But one of the featured sites in the movie is a sobering reminder of the horror of nuclear war.
The Hollywood actors’ strike is a watershed moment for the entertainment industry, marking a turning point for the future of labour in the arts.
The hard-won legal rights for LGBT+ people have slowly shifted some public perceptions and begun to filter through into the media around us.
If you haven’t seen Stanley Kubrick’s 1968 sci-fi classic, then it’s likely you will have seen other films influenced by it.
The DreamHouse blurs the lines between doll and human along with the boundaries between the real, monochromatic world of California and the fictional realm of the magical dollhouse.
A young unarmed teenager has been shot dead in a Paris suburb by a policeman during a routine checkpoint. It is not the first time, and French cinema has been denouncing it for years.
Ruby Gillman is not the Monstrous beast of Norweigan folklore but an awkward teen going through a big change.
The final Indiana Jones movie is coming out June 30. The fifth in a series over 42 years, many of its ideas are taken from 19th-century orientalist and racist archaeology.
A stand out performance from Scarlett Johansson and some emotional scenes make this one his strongest films to date.
Top contributors
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, Film Studies, University of Sydney
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Lecturer, Department of Film and Television Studies, University of Warwick
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Professor of Film Studies, Bangor University
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Senior Lecturer in Screen Studies, University of South Australia
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Professor of Screen and Design, Deakin University
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Visiting Research Fellow University of Chester, University of Chester
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Professor & Dean, School of Media and Communication, RMIT University
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Senior Lecturer in Film, University of Roehampton
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Professor of Film and Television, Goldsmiths, University of London
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Executive Director, Compton School
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Film, UNSW Sydney
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Lecturer in 20th and 21st Century Literature, University of Exeter
